This is the verse of the Sixth Dalai Lama Cangyang Jiacuo. The whole poem is as follows:

Beauty is not a mother -in -law, it should be the peach blossom tree growing up,

Hate peach blossoms are easy to fall, and falling flowers are more affectionate than Ru.

Repair the dynamic view of the time, calendar lovers to hang up at the current,

If you learn this heart, what is it difficult to generate the Buddha?

Taking out of the heart, although this life is short -minded,

On the day with Qing's again, Yushu Linfeng was a teenager.

Do not observe life and death and impermanence, but return to death one by one,

It is extremely clever and wisdom, sighing that he is always vast here.

The horses on the hills on the mountain are difficult to tame, and the machine is still in the body.

Sighing the gods of the gods and not being able to adjust the pillow.

To lean on the green window with Qingqing, regret the mistake in this life.

With the heart holding the bowl jungle, and the beauty of the beauty.

Sitting and looking at the eyes, pray for the three treasures to descend the spiritual platform,

Why did you see the saints in the view? Don't ask a lover but be self -free.

Entering the mountains and the monk, ask for advice to the master.

The consecutive acacia was not checked, and Yima Xinxiang went to Qingqing.

I had a lot of affection to damage the Brahma, and I was afraid not to fall into the mountains.

The world's dual -comprehensive law, lived up to live up to Qing.

(Note: The original text is Tibetan, this poem is translated into Chinese in Chinese)

The meaning of this poem is: if you are emotional, you will lose Rulai (Dharma); if you are not emotional, you will live up to "her" (love).

Expand information:

Cangyang Jiacuo (Tibetan: ཚངས་ དབྱངས་ རྒྱ་ མཚོ །; Tshangs-DBYANGS-ERGYA-MTSHO1683.03.01-1706.11.15), Menba, Sixth Dalai Lama, Dharma Rosan Ren Qin Cang Yang Jiacuo, French name Luo Sangren Cang Yang Jiacuo, Falunname, Kaitaccos, Kang Kang Jiacuo. The famous poet and politician in Tibet history.

In the 22nd year of Kangxi (1683), Cangyang Jiacuo was born in a serf family in Wujianlin Village, Xiayatong, Lane, Monada, Southern Tibet. In the family, he believed in Feng Ningma School Buddhism. In the thirty -six years of Kangxi (1697), the then Tibetan regent king Kiba Sang Jie Jiacuo was identified as the reincarnation spiritual child of the Fifth Dalai Lama. In the same year, he held a bed in the Potala Palace under the auspices of Sangjia Cuo. ceremony. The 44th year of Kangxi (1705) was abolished, and it was rumored to be silent during the fourth year of Kangxi (1706).

Cangyang Jiacuo is the most representative folk song poet in Tibet. He wrote a lot of delicate and sincere poetry. The most classic of which is the Lhasa Tibetan woodcut version "Cangyang Jiacuo Love Song".

Reference materials:

"Live up and live up to Qing (Cang Yang Jiacuo's Verse)" Baidu Encyclopedia

"Cangyang Jiacuo (the Sixth Dalai Lama, Folk Song Poet)" Baidu Encyclopedia

Author: Sixth Dalai Lama Cangyang Jiacuo, the whole poem is as follows:

Beauty is not born to the mother, and it should be the growing peach tree. It has hated that peach blossoms are easy to fall.

Repairing the view of dynamic and repairing, the lover is currently hanging.

I have done my best to come to my heart. Although my life is short, I will meet with Qing again.

Without watching life and death and impermanence, but turning back to death one by one, he is extremely wise and wisdom, sighing that he is always vast.

The horses on the hills on the mountains are difficult to tame, and the machine is still in the body.

To lean on the green window with Qingqing, regret the mistake in this life. With the heart holding the bowl jungle, and the beauty of the beauty.

Sitting and Xiu Xiu's eyes opened, praying for the three treasures to descend the spiritual platform. Don't ask a lover but be self -free.

Entering the mountains and the monk, ask for advice to the master. The consecutive acacia was not checked, and Yima Xinxiang went to Qingqing.

I had a lot of affection to damage the Brahma, and I was afraid not to fall into the city.

(Note: The original text is Tibetan, this poem is translated into Chinese in Chinese)

Extended information:

I had a lot of affection to damage the Brahma, and I was afraid not to fall into the city. This sentence is the core of the whole poem. The translation is: Once considered passionate, it will be damaged, but I want to practice and be afraid of it. Alas, is there a way to do both in the world? You can not only be with you, but you can not violate the law of the Buddha!

Cangyang Jiacuo (Tibetan: ཚངས་ དབྱངས་ རྒྱ་ མཚོ །; Tshangs-DBYANGS-ERGYA-MTSHO1683.03.01-1706.11.15), Menba, Sixth Dalai Lama, Dharma Rosan Ren Qin Cang Yang Jiacuo, French name Luo Sangren Cang Yang Jiacuo, Falunname, Kaitaccos, Kang Kang Jiacuo. The famous poet and politician in Tibet history.

In the 22nd year of Kangxi (1683), Cangyang Jiacuo was born in a serf family in Wujianlin Village, Xiayatong, Lane, Monada, Southern Tibet. In the family, he believed in Feng Ningma School Buddhism.

In the thirty -six years of Kangxi (1697), Cang Yang Jiacuo was identified as the reincarnation spiritual child of the Fifth Dalai Dalai Lama by the Tibetan Regent King of Tibetan. A ritual ceremony was held. The 44th year of Kangxi (1705) was abolished, and it was rumored to be silent during the fourth year of Kangxi (1706). Cangyang Jiacuo is the most representative folk song poet in Tibet. He wrote a lot of delicate and sincere poetry. The most classic of which is the Lhasa Tibetan woodcut version "Cangyang Jiacuo Love Song".

Cangyang Jiacuo is one of the most famous poets of Tibetan. The poetry he wrote is well -known at home and abroad. Not only has the important position in the history of Tibetan literature, it has a wide range of influences in the Tibetan people, but also attracts people in the world poetry world. A wonderful flower is different. It has attracted the interest of many scholars' research.

Cang Yang Jiacuo's poetry shows his short and legendary life of love and hate, suffering and music, deeds and thoughts, and perceptions. To a certain extent, he reflects his desire to pursue a free and beautiful life, and the theme is active.

Reference information: Baidu Encycloped

The whole poem is as follows: Beauty is not a mother -in -law, it should be the growing peach tree, and the peach blossoms are easy to fall. Repairing the view of dynamic and repairing, the lover is currently hanging. I have done my best to come to my heart. Although my life is short, I will meet with Qing again. Without watching life and death and impermanence, but turning back to death one by one, he is extremely wise and wisdom, sighing that he is always vast. The horses on the hills on the mountains are difficult to tame, and the machine is still in the body. To lean on the green window with Qingqing, regret the mistake in this life. With the heart holding the bowl jungle, and the beauty of the beauty. Sitting and Xiu Xiu's eyes opened, praying for the three treasures to descend the spiritual platform. Don't ask a lover but be self -free. Entering the mountains and the monk, ask for advice to the master. The consecutive acacia was not checked, and Yima Xinxiang went to Qingqing. I am afraid that I will lose my favor and the mountains, and I am afraid of misunderstanding the city.

The whole poem is as follows:

Beauty is not a mother -in -law, it should be the peach blossom tree growing up,

Hate peach blossoms are easy to fall, and falling flowers are more affectionate than Ru.

Repair the dynamic view of the time, calendar lovers to hang up at the current,

If you learn this heart, what is it difficult to generate the Buddha?

Taking out of the heart, although this life is short -minded,

On the day with Qing's again, Yushu Linfeng was a teenager.

Do not observe life and death and impermanence, but return to death one by one,

It is extremely clever and wisdom, sighing that he is always vast here.

The horses on the hills on the mountain are difficult to tame, and the machine is still in the body.

Sighing the gods of the gods and not being able to adjust the pillow.

To lean on the green window with Qingqing, regret the mistake in this life.

With the heart holding the bowl jungle, and the beauty of the beauty.

Sitting and looking at the eyes, pray for the three treasures to descend the spiritual platform,

Why did you see the saints in the view? Don't ask a lover but be self -free.

Entering the mountains and the monk, ask for advice to the master.

The consecutive acacia was not checked, and Yima Xinxiang went to Qingqing.

I had a lot of affection to damage the Brahma, and I was afraid not to fall into the mountains.

There are two laws in the world.

The whole poem is:

Beauty is not born to the mother, and it should be the growing peach tree. It has hated that peach blossoms are easy to fall.

Repairing the view of dynamic and repairing, the lover is currently hanging. Knot

After all the hearts, although this life is short -minded, meet with Qing again, and Yushu is a teenager in the wind.

Without watching life and death and impermanence, but turning back to death one by one, he is extremely wise and wisdom, sighing that he is always vast.

The horses on the hills on the mountains are difficult to tame, and the machine is still in the body.

To lean on the green window with Qingqing, regret the mistake in this life. With the heart holding the bowl jungle, and the beauty of the beauty.

Sitting and Xiu Xiu's eyes opened, praying for the three treasures to descend the spiritual platform. Don't ask a lover but be self -free.

Entering the mountains and the monk, ask for advice to the master. The consecutive acacia was not checked, and Yima Xinxiang went to Qingqing.

I had a lot of affection to damage the Brahma, and I was afraid not to fall into the city.